1
25
7
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/159/PFilliputtiA16010070.2.jpg
ea005e7208aaa51a68e9c15af2f360e4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Execution of Elio Indri e Giovanni Peccia
Description
An account of the resource
At dawn, two partisan helpers drafted into the Landschutz are executed by a firing squad commanded by a men in fascist uniform. Barbed wire and part of the ramparts of the Palmanova fortress are prominently featured. A church is visible in the background.
Label reads “175”, signed by the author, caption reads “PALMANOVA. Novembre 1944 - Febbraio 1945. Dal racconto di Elio Tinon da Talmasson UD: i patrioti Indri Elio da S. Giorgio di Nongaro UD, e Peccia Giovanni da Cervignano che pur militando nella Landschutz, erano in contatto con le nostre formazioni, sono stati fucilati sui bastioni di Palmanova, mentre tentavano di fuggire dall’arsenale, dal Borsatti il 9 Ottobre, i loro corpi non furono piu’ ritrovati.”
Caption translates as: “Palmanova, November 1944-February 1945. From the account of Tinon Elio from Talmassons (Udine province): the two patriots Elio Indri from San Giorgio di Nogaro (Udine province) and Peccia Giovanni from Cervignano who, although being members of the Landschutz militia of territorial defense, supported out units. They were shot by lieutenant Borsatti on the bastions in Palmanova while they were escaping from the arsenal on 9 October 1944. Their bodies were never found.”
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010070
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Italy--Palmanova
Italy
Temporal Coverage
Temporal characteristics of the resource.
1944-10-09
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
arts and crafts
Resistance
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/160/WARNING GRAPHIC CONTENT.2.jpg
b53cc613b8a2d6c309628ea583201a9c
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/160/PFilliputtiA16010071.2.jpg
36abf66758feb0c0ea8ff12f709408f7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Silvio ‘Montes’ Marcuzzi being tortured
Description
An account of the resource
Two men are chained to a prison wall covered in blood. The one on the left hand side has a gaping wound on his head and blood is coming from his mouth. In the foreground, a figure in fascist uniform holds a blood-stained bludgeon while an officer points at him. A bucket is visible on the floor. The inscription on the wall reads “W L’ITALIA”.
Label reads “177”, signed by the author, caption reads “[illegible] OTTOBRE 1944. SILVIO MARCUZZI “MONTES” veniva catturato assieme ad altri al mulino di Muzzana del Turgnana UD. Dal 1943 all’agosto 1944 opera del Marcuzzi, fu’ creata l‘intendenza “Montes” dalle Prealpi Giulie ai territori della Venezia Giulia, all’Emilia, ai reparti in Carnia e al IX Corpus Sloveno. Portato a Palmanoa UD nelle mani del tenente Borsatti, e torturato a sangue nella cella No 1. Il pavimento era lordo fi sangue, e un pezzo del suo cervello era attaccato al muro, mori’ il 2 novembre 1944, 4 ore prima della decretata impiccagione, urlava come i cani, chiamava nomi strani, e cantava, chi lo vide disse: era una larva di uomo sanguinante da ogni parte, specie dalla testa, lacero scalzo completamente assente, ira impazzito, poi la fine."
Caption translates as: “[illegible] October 1944. Silvio Marcuzzi (also known as “Montes”) and others were arrested at the watermill of Muzzana del Turgnano (Udine province). Between 1943 and August 1944, the “Montes” bureau was created at the behest of Marcuzzi. It operated from the Julian Pre-Alps to the Venezia Giulia region, the Emilia, the Carnia units, and the 9th Slovenian Corps. Silvio Marcuzzi was carried to Palmanova (Udine province) by lieutenant Borsatti. He was then brutally tortured in cell number 1. The floor was filthy and covered by blood. A piece of his brain was on the wall. He died on 2 November 1944. Four hours before the hanging sentence was carried out, he was screaming like a dog, calling strange names, singing. Those who saw him stated that, by that time, he was a wreck, bleeding everywhere, especially in the head. He was lacerated, barefoot, completely distant. He went insane, then died.”
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010071
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Italy--Palmanova
Italy
Temporal Coverage
Temporal characteristics of the resource.
1944-10
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
arts and crafts
Resistance
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/166/WARNING GRAPHIC CONTENT.2.jpg
b53cc613b8a2d6c309628ea583201a9c
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/166/PFilliputtiA16010077.2.jpg
260a152f4b75e1b5ee4d2cc2ccac3bcd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alfonso ‘Liviano’ Zamparo being tortured
Description
An account of the resource
A screaming naked man is suspended across a cell by ropes tied around his wrists, looped over a hook on the wall, and his ankles, looped through the bars of a window. The rope threaded through the window is held by a uniformed figure. A bucket is visible in the corner of the cell. The walls of the cell are flecked with blood stains.
Inscriptions read “195”; signed by the author; caption reads “PALMANOVA 19 Dicembre 1944 – 17 Febbraio 1945, “Liviano” dottor Alfonso Zamparo dell’Osoppo, impiccato per 5 ore alle celle No 1 completamente nudo, dal suo racconto: fui aganciato e spinto verso l’entrata della cella, la corda passò sopra la porta e fissata all’esterno, sul catenaccio, cosi appeso coi piedi alti sul pavimento, un calvario, calci pugni vergate, colpi di moschetto che mi lacerarono la carne, mi lanciarono a dosso secchi di acqua gelata, e calda, e bere dense soluzioni di sale. Mi spedirono a Dakau [Dachau] il 24 Febbraio”.
Caption translates as: “Palmanova, 19 December 1944-17 February 1945. Doctor Alfonso Zamparo (also known as “Liviano”) of Osoppo was hung for five hours in cell number 1. He was completely naked. From his own account: I was released from the ropes and pushed towards the entrance of the cell. The rope passed above the door and then secured outside, on the sliding lock. Then, I was hung with my feet above the floor. It was an ordeal: kicks, punches, canes, and musket shots lacerated my flesh. They threw at me buckets of ice-cold water, then hot, and I was given dense salt solutions to drink. I was sent to Dachau on the 24 February.”
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010077
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Italy--Palmanova
Italy
Temporal Coverage
Temporal characteristics of the resource.
1944-12
1945-01
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
arts and crafts
Resistance
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/170/WARNING GRAPHIC CONTENT.2.jpg
b53cc613b8a2d6c309628ea583201a9c
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/170/PFilliputtiA16010081.2.jpg
c25577ac507acf8e40427ed634721193
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Partisan ‘Napoli’ being tortured
Description
An account of the resource
A man is tied to a wall with blood dripping from head wounds. Two soldiers in green and black uniforms are threatening him with weapons. One is shouting and pointing to a bludgeon, whilst the other soldier is kneeling down pointing a rifle at the man.
Inscriptions read “208”; signed by the author; caption reads “GENNAIO 1945. I MARTIRI DI PALMANOVA…legato grondante sangue, ma con l’occhio scintillante l’eroe fissa i suoi carnefici con disprezzo “come ti chiami” gli grida il carnefice “Napoli” risponde l’eroe, “sei partigiano” “sì” freddo e fiero esce dalla sua bocca, “quale attività svolgi”. A questa domanda il piccolo Napoli raccoglie in un supremo sforzo, tutte le sue esauste forze, ed ergendo la sua povera e macciulenta [sic] carne, a monito solenne contro i traditori del popolo, risponde: “sono gappista”, chi sono i tuoi compagni urla il fascista, “sono napoletano e non li conosco”. Quattro colpi di mazza lo abbattono, ma ha ancora la forza di balbettare “porco”. Immediatamente il piccolo martire, viene passato alle torture piu raffinate e crudeli “Napoli” si contorce, spasima, invoca la madre lontana ma non parla. Una scarica rabiosa lo abate, l’aureola del martirio cinge la sua fronte; e papa Garibaldi lo accoglie nel cielo degli eroi”.
Caption translates as: “January 1945 – The Palmanova Martyrs… constrained and dripping blood, the hero was staring at his torturers with contempt, maintaining his bright gaze. “What’s your name” yelled the torturer. “Napoli” answered the hero. “Are you a partisan?”. “I am”, said he, cold and proud. “What is your task?”. To answer this question, the little Napoli gathered his strengths with extreme difficulty, he was exhausted. He got up – his body was miserable and emaciated – and, as a reprimand against the traitors of the people, answered: “I’ with the Patriotic Action Groups”. “Who are your comrades?” yelled the Fascist. “I am Neapolitan, I don’t know who they are”. He was knocked over by a bludgeon, but he still found the energy to reply “pig”. The little martyr was immediately tortured using more refined and cruel methods. “Napoli” started writhing. He had spasms and ached. He invoked his long-gone mother, but he doesn’t give away any information. A furious rush of blows knocked him over. The halo of the martyrs on his head, Father Garibaldi welcomes him in the heaven of the heroes.”
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010081
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Italy--Palmanova
Italy
Temporal Coverage
Temporal characteristics of the resource.
1945-01
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
arts and crafts
Resistance
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/181/WARNING GRAPHIC CONTENT.1.jpg
b53cc613b8a2d6c309628ea583201a9c
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/181/PFilliputtiA16010092.1.jpg
5a242c2b0a90afd65bc699c2dd046af0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Partisan being tortured
Description
An account of the resource
In the Palmanova prison, a semi-naked man is chained to a prison wall while a figure in fascist uniform is pressing a glowing iron onto his chest. Three other uniformed figures are standing nearby. Irons are being heated in a brazier at the bottom left. A pair of boots and a bowl are scattered on the floor.
“FEBBRAIO 1945. I MARTIRI DI PALMANOVA, una delle macabre scene alle prigioni di Palmanova, un patriota maranese catturato dai nazi-fascisti. E’ uno dei pochi superstiti, che durante il periodo, dal 20 Febbraio al 13 Marzo, ha sopportato stoicamente le torture operate susl suo corpo dai carnefici, R. T. DF. Detto l’uomo cane per le bestiali morscicature sulle membra dei patrioti.”
Caption translates as: “February 1945, the Palmanova Martyrs. One of the macabre happenings in the Palmanova prison: a patriot from Marano was arrested by the Nazi-Fascists. He was one of the few survivors who, between 20 February and 13 March, stoically endured the tortures inflicted on his body by his tormentors, R. T. and D.P., also called the “dog-man” because of the brutal bites he left on the bodies of patriots”.
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010092
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Italy--Palmanova
Italy
Temporal Coverage
Temporal characteristics of the resource.
1945-02
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
arts and crafts
Resistance
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/184/WARNING GRAPHIC CONTENT.1.jpg
b53cc613b8a2d6c309628ea583201a9c
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/184/PFilliputtiA16010092.1.jpg
5a242c2b0a90afd65bc699c2dd046af0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Marcello Volponi being tortured by Capitain Venier
Description
An account of the resource
In a prison cell, a naked partisan is chained to a wall by his wrists. Two men in uniform are beating him, the one on the right with a chair, the one on the left with a blood-stained club. A third man is throwing the contents of a bucket at the prisoner, while an officer is holding a gun.
Label reads “238”; signed by the author; caption reads “PALMANOVA, MARCELLO VOLPONI, anni 21 da S. GIORGIO di NOGARO UD. “Tito” catturato a Gonars dal Rebez, il giorno 26 Febbraio 1945. Torturato dal Capitano Venier, gli fu’ riservato un trattamento speciale, nudo lo picchiarono con sedie, con la frusta tutti a dosso, sanguinante, svenne, preso per il capelli e trascinato alla cella No 1 dove fu’ impiccato al gancio. E ancora legnate. Tormenti atroci, da legacci che non lasciavno circolare il sangue, secchi d’acqua fredda e botte: supplica il Rebez: [sic] “per favore sparatemi”, e il Rebez “ti faremo morire lentamente”. Febbre alta, gli diedero da bere, acqua salata mista a orina, e olio, penzolava inerte come uno straccio, poi calci e pugni di nuovo. Il calcio del fucile gli fracasso’ la testa, e spaccarono una costola, ancora 18 indicibili ore, attaccato a quel gancio, poi lo portarono alla cella No 2 fino al 13 febbraio, assieme ad altri, fui [sic] messo alla cella No 8 il 6 marzo lo portarono a Udine, in via Spalato dove assistette al processo dei 30 patrioti, piu’ tardi giustiziati, il 22 marzo partii [sic] per la Germania."
Caption translates as “PALMANOVA, MARCELLO VOLPONI, 21 years old, from S. GIORGIO di NOGARO UD. Nicknamed “Tito”, captured in Gornars by Rebez on 26 Frebruary 1945. Tortured by Captain Venier in an especially cruel way. Naked, he was bludgeoned with chairs and whipped by everyone. Bleeding, he passed out, and was dragged to his cell by his hair where he was hanged to a hook. Then more beating. Excruciating pain because of tight ropes that stopped blood, buckets of cold water, even more beating. He pleads Rebez: “Shot me, please”. Rebez replied “We’ll slowly kill you”. High fever, they gave her to drink brine mixed with urine and oil, dangling idle like a cloth, then punches and kicks again. The butt of a rifle fractured his skull, they also fractured a rib. 18 hours of further tortures dangling from that hook, the he was sent to cell 2 until the 13 of February, then to cell 8 with others. On the 6 March they carried him to Udine, via Spalato, where he saw the trial of the 30 patriots who where later executed. On 22 March he set off to Germany.
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010095
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Italy--Palmanova
Italy--Udine
Italy
Temporal Coverage
Temporal characteristics of the resource.
1945-02
1945-03
1945-02-26
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
arts and crafts
Resistance
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Spatial Coverage
Spatial characteristics of the resource.
Italy--Palmanova
Title
A name given to the resource
Palmanova [place]
Palme
Description
An account of the resource
This page is an entry point for a place. Please use the links below to see all relevant documents available in the Archive.