1
25
128
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/20/45/Memoro 1818.1.mp3
b81e0809df6c01896f1b8dc7c66c89a2
Transcribed audio recording
A resource consisting primarily of recorded human voice.
Transcription
Text transcribed from audio recording or document
MTB: [part missing in the original file] Una cosa tragica. Una cosa tragica. Tre ore, in continuazione, sotto le bombe. Una cosa spaventosa. Tre ore. Arrivavano da Grottaferrata gli aerei e si dirigevano in questa maniera verso il centro di Frascati. Da Grottaferrata, così, verso il centro di Frascati. E dove aveva finito quel gruppo di aerei e iniziava quell’altro, quindi che tu avevi bombardato fino a qui e quell’altro da qui e andavano avanti. Quell’altri da li e andavano avanti, fino a che non sono arrivati fino a qua. Allora, l’allarme c’è stato ma immediatamente è [pause] iniziato il bombardamento, so’ arrivati gli aerei. C’è stato l’allarme, però i tedeschi che stavano li lo sapevano, perche mio zio Amadei che aveva il negozio di panificio, un tedesco gli disse: “Signor Amadei, domani stia attento che è una brutta giornata”. Infatti mio zio poi è rimasto sotto il negozio ed è stato poi dai [pause] pompieri, da della gente che ha cercato di salvare persone, salvato e portato a Roma all’ospedale. [part missing in the original file]
MTB: No, i rifugi sai cos'erano, erano le cantine, erano le cantine. I rifugi non c'è n'erano. Se lei pensa che come rifugio c'avevamo [pause] Quindi c'erano questi villini, c'era un viale, e i villini, uno di qua e uno di qua, in fondo al viale hanno scavato e sono andati giù un du’ metri, tre metri. Ecco come stavamo ricoverati. Che se ci prendeva la bomba in pieno non ce trovavano nemmeno un capello. Non trovavano niente, non trovavano.
Unknow interviewer: È morta molta gente a Frascati?
Si. Molta gente. Moltissima, famiglie sane. Anche perché appunto non c'erano i ricoveri e c'erano queste cantine, questi tinelli. E la gente andava nel tinello, nella cantina del tinello. Eh [pause], se, ma [pause] Guardi che hanno fatto a pulire, mo’ [pause] Tra parentesi i tedeschi stavano a Frascati, c'era Kesserling, ma le batterie hanno sparato. Una in piazza Mazzini è saltata per aria, quelle di palazzo Moroni hanno sparato fino a un certo punto, poi dopo vista la brutta non hanno sparato più, e a villa Torlonia c'erano altre batterie, eravamo circondati dalle batterie. Hanno sparato ma questi hanno fatto a pulire tre ore senza misericordia. Tre ore senza misericordia. Quindi hanno cotto dappertutto. Chi se’ salvato po’ dirse fortunato. Dopo de questo.. Infatti quando siamo usciti dal ricovero di questi villini, questi di questa parte, quelli che davano verso Grottaferrata, erano andati tutti distrutti meno il nostro che era distrutto dietro e davanti no. Tanto che mia madre uscendo e ritornando su dal ricovero fa: "Uh, hanno aperto la porta de’ casa ma io l'ho chiusa”. Capirai! I pompieri gli han detto: “Signora, troppa roba se è aperta”. Capirai. Nun c'era più niente era saltata per aria tutto.
Ma c'era una sensazione strana. Una sensazione strana. Forse la paura maggiore è stata perchè tutti pregavano e: "Santa maria madre di Dio [screams loudly] Questo scatto che c’era man mano che sentivi che il botto era più vicino, ecco quello ti metteva l'angoscia, la paura.
UI: Com'e stato essere bambini in tempo di guerra?
MTB Ma non c'era niente. Cioè non c'era niente. C'era la tessera per il pane. Eh, noi - ringraziando Iddio - il pane lo abbiamo sempre un po’ avuto dal momento che mio zio c'aveva il negozio di panificio e allora con la tessera ti davano i due etti. Se poi erano due etti e mezzo lasciava correre. Tutto li, sennò non c'era niente. Non c'erano dolci, non c’erano cioccolate, non c'era niente di niente.
UI: Pero c'erano le verdure e la frutta.
MTB: Sì, le verdure e la frutta. Questo si, moltissimo anche perche’ in turno [pause]. Adesso anche se Frascati sta diventando un cemento completo e siamo ossessionati dall'avanzata del cemento da Roma verso Frascati. Infatti non siamo più un paese, siamo una borgata. Vere peggio, forse. Allora no, allora cioè che era frutta e verdura era una cosa favolosa. Una cosa favolosa.
UI: La carne?
MTB: Sì, sì c'era la carne. Sì, carne, pollo, sì questa roba c'era.
UI: E la scuola?
MTB: Eh la scuola, la scuola subito dalle suore io so’ andata [pause] Alle scuole comunali che si [part missing in the original file]
MTB: Il giorno dell'otto settembre mio padre era impiegato alla camera dei deputati e venne chiamato dal direttore della Camera e gli disse "Boazzelli, devo dirle con dispiacere che c'è stato un bombardamento fortissimo a Frascati. Lei vada subito e vada a vedere la sua famiglia. E lui ha dovuto litiga’ coi tedeschi perchè non c'erano mezzi ed ha dovuto sali’ per forza su un camion tedesco. E siccome lui aveva fatto la guerra ed era stato preso prigioniero nella guerra ‘15-18 degli Austriaci. Quindi non era molto tenero. Non hanno [pause] Si vede che l'anno visto che s'era tutto arrabbiato e l'hanno sceso qui vicino all'ospedale col.. E quindi è arrivato a casa ed ha trovato tutto quanto così ed ha detto "Beh, cercate d'anda’ via, cercate d'anda’ a Roma". E però non c'erano mezzi. Era saltato per aria tutto. E quindi co [pause] a piedi siamo arrivati vicino Morena, giù Ciampino [pause]. A piedi. E per trovà un mezzo che ce’ portasse a Roma da un fratello di mio padre che abitava a Roma. Mio padre è rimasto li perché durante la notte c'è stato il sacallaggio [sic] della gente molto per bene che andava a ruba’ dentro le case. E quindi [pause] Ebbè, è normale, non è che sia normale. E noi siamo andati a Roma. Poi dopo ci ha raggiunto, quando non c'era nulla da fare che aveva cercato di sistemare un po’ de cose mio padre [pause] è venuto a Roma pure lui, e abitavamo tra Porta Pia e piazza Fiume, via Pagliari. Ecco abitavamo li. Infatti quando sono entrati gli Americani [pause] gli Americani sono entrati per cosa, come si chiama [part missing in the original file]
MTB: Mah, sa. È stata tutta una cosa, praticamente, che, di liberazione. Ecco perché tutta gente che arrivano, che c'è liberano. C'e danno da mangiare, c'e danno,cioè tutti liberi. Cominciava, sa, si, come c'erano gli Americani [pause]Non esisteva più il re. Perché giustamente il re, molto intelligentemente, mentre noi stavamo sotto a bombe lui scappava pe’ 'ndarsene in Egitto e compagnia bella. E quando siamo andati noi all'ospedale Fatebenefratelli a trovare mio zio Amadei che era rimasto li sotto il negozio c'erano un sacco di ragazzi giovani di 18-20 anni che avevano combattuto qui a Porta?
UI: San Paolo
MTB: A porta San Paolo, e vicino a mio zio c’era un ragazzo che c’aveva avuto 18-19 anni co' a pancia squarciata, e che chiamava la madre. E allora mia madre si avvicinò li a salutarlo, a accarezzarlo, na' cosa e n’altra. Queste sono i ricordi da bambina di momenti particolari. E infatti io quando sento nominare Casa Savoia vado un po’ in bestia, perche io capisco che lui voleva salvare il figlio e faceva bene a mandarlo via, ma che andasse via lui no, e rimanesse a vede’ quello che succedeva, de trattala meio. [part missing in the original file]
Dublin Core
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Title
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Interview with Maria Teresa Boazzelli
Subject
The topic of the resource
World War (1939-1945)
Bombing, Aerial
Description
An account of the resource
Maria Teresa Boazzelli describes the bombing of Frascati on 8 September 1943 and provides an account of life inside an improvised shelter: people praying and screaming after explosions. She explains how the Germans had been expecting the bombing and had sent a covert warning to her uncle. In the aftermath of the bombing, she describes the experience of finding her home partially destroyed and their subsequent journey to Rome on foot. Maria also provides recollections of daily life in Frascati during the war and describes the aftermath of the Battle of Porta San Paolo in the context of the fall of the Fascist regime. She also talks about her feelings regarding King Victor Emmanuel’s escape from Rome.
Publisher
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IBCC Digital Archive
Memoro. La banca della memoria
Date
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2009-12-02
Contributor
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Alessandro Pesaro
Format
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00:09:02 audio recording
Spatial Coverage
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Italy--Rome
Italy--Frascati
Italy
Temporal Coverage
Temporal characteristics of the resource.
1943-09-08
1943-09-08
Identifier
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Memoro#1818
Language
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ita
Rights
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This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
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Sound
License
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Royalty-free permission to publish
bombing
childhood in wartime
civil defence
home front
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/782/9034/MTroglioP[DoB]-180902-04.jpg
3b12a3ff7e6d605ecf972f33a0710be4
Dublin Core
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Title
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Troglio, Paolo and Bernabè, Angelo
Identifier
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Troglio, P-Bernabe, A
Description
An account of the resource
<p>40 items. The collection consists of the service and private papers of Paolo Troglio (b. 1921), an aviere of Regia Aeronautica later attached to the Luftwaffe. Paolo was stationed in Italy, France, Greece, Albania, and on the Russian Front where he became a prisoner of war. He escaped and was posted to a Luftwaffe logistic unit with the rank of Gefreiter. Toward the end of the war, back in Italy, Paolo became an informant for the Resistance, to which he passed military intelligence. The collection comprehends photographs of barracks, aircraft, airfields, ordnance, and his friends in informal settings. There is also correspondence exchanged between Paolo and his family, letters from the 'Italia' partisan brigade, and a pair of Deutsche Afrika Korps googles. The collection also include correspondence about a war damage claim lodged by Angelo Bernabè, whose daughter would later be married to Paolo. </p>
<p>The collection was donated by Sara Troglio and catalogued by IBCC Digital Archive staff, with the valuable assistance of the Archeologi dell'Aria research group (<a href="https://www.archeologidellaria.org">https://www.archeologidellaria.org</a>) and further identification provided by Claudio Gioia.</p>
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This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Date
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2018-09-02
Transcribed document
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Transcription
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Si fa noto ai Comandi C.L.N che il Sig. TROGLIO Paolo di Giulio nato a Leno (Brescia) il 10/9/1921 benche [sic] appartenente all'Aviazione Repubblicana era in forza presso la Brigata Italia B.t:g; BURRASCA in data 23/11/1944 dandoci informazioni molto utili sul movimento arei del campo di Villafranca. Cooperava in pattuglie arditamente e distinguevasi per prontezza di spirito.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Paolo Troglio's contribution to the Resistance movement
Description
An account of the resource
Brief account of Paolo Troglio's contribution to the Resistance movement in the Verona area: he's praised for initiative and fighting spirit.
Publisher
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IBCC Digital Archive
Date
A point or period of time associated with an event in the lifecycle of the resource
1945-05-06
Contributor
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Alessandro Pesaro
Format
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One typewritten form
Identifier
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MTroglioP[DoB]-180902-04
Spatial Coverage
Spatial characteristics of the resource.
Italy
Italy--Villafranca di Verona
Temporal Coverage
Temporal characteristics of the resource.
1945
Creator
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Enzo Olivieri
Italy. Comitato di Liberazione Nazionale. Brigata Italia
Rights
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This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Language
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ita
Type
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Text
Coverage
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Aeronautica Nazionale Repubblicana
Resistance
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/38898/PFilliputtiA16010031.2.1.jpg
71a0d9c5c4360d3eb20088cec5d93684
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Actions of the destroyer Vivaldi. Part 7
Description
An account of the resource
On a clear day and in a calm sea, the destroyers Malocello and Vivaldi are manoeuvring. The vessel in the middle has been badly damaged and is engulfed in flames. Figures can be seen on deck. The vessels on the horizon have also been hit and flames have engulfed the middle and stern sections. Fires are raging. Three torpedo bombers are flying at low altitude and torpedoes are being dropped. To the left, seven bombers are approaching in formation.
Label reads “60”; signed by the author; caption reads “7 …soppraggiungono alcuni caccia e due dragamine da Pantelleria in aiuto mentre il Malocello prende a rimorchio il Vivaldi. Alle 9.36 quattro aero-siluranti inglesi appaiono sopra lo specchio di mare in cui stà sputando fuoco da tutti i buchi il caccia. Il Maolcello le gira in tondo riparandolo con la nebbia artificiale, nessuno dei siluri sganciati dagli aerosiluranti coglie il segno. Ore 9.50 sette bombardieri si presentano nel cielo e sganciano una trentina di bombe accolti dal rabbioso fuoco antiaereo di tutti i CCTT, anche stavolta il Vivaldi rimane incolume…”
Caption translates as: “7… Some destroyers and two minesweepers from Pantelleria came to the rescue, while the Malocello was towing the Vivaldi. At 9.36 am, four British torpedo bombers appeared on the stretch of sea where the destroyer is shooting from every angle. The Malocello is going around in circles sheltering it with artificial fog. None of the torpedoes hits the target. At 9.50 am, seven fighter aircraft appeared in the sky and shot thirty-something bombs. They were welcomed by the destroyer ’s raging anti-aircraft fire. Once again, the Vivaldi remained unharmed…”
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Temporal Coverage
Temporal characteristics of the resource.
1942-06
Spatial Coverage
Spatial characteristics of the resource.
Mediterranean Sea
Language
A language of the resource
ita
Type
The nature or genre of the resource
Artwork
Format
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One tempera on paper, pasted on mount board
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Identifier
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PFilliputtiA16010031
Is Part Of
A related resource in which the described resource is physically or logically included.
Filiputti, Angiolino. Actions of the destroyer Vivaldi
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/38897/PFilliputtiA16010032.1.1.jpg
b93d2ee9f106f17f8d16602eb75bd5e5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Actions of the destroyer Vivaldi. Part 8
Description
An account of the resource
During the night, the destroyer Vivaldi sails in rough seas around a peninsula. The land is very barren with only a few wooded areas and some white houses near to the seashore.
Label reads “61”; signed by the author; caption reads “8… all’alba del 16 Giugno il Vivaldi lascia l’ancoraggio, il mare è mosso un forte vento di ponente scaraventava onde rabbiose sulla coperta, la nave si aggravava e sbandava ancora di più. Il Mediterraneo quando ci si mette è terribile 20 ore dura la lotta con la tempesta, 20 ore mortali dopo 48 ore di tensione continua, di sforzi sovrumani di eroismi incredibili. Si adopera tutto per lottare contro l’acqua anche le gamelle del rancio, anche gli elmetti di combattimento sono buoni, nel buio della notte burrascosa alle ore 1.54 del 17 Giugno 1942 il Vivaldi entra in un porto nazionale e gitta l’ancora. (dal racconto di D.M.D.M.) FINE.
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Temporal Coverage
Temporal characteristics of the resource.
1942-06-16
Spatial Coverage
Spatial characteristics of the resource.
Mediterranean Sea
Language
A language of the resource
ita
Type
The nature or genre of the resource
Artwork
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information,visit https://creativecommons.org/licenses/by-nc/4.0/ andhttps://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Contributor
An entity responsible for making contributions to the resource
Alessandro Pesaro
Helen Durham
Francesca Campani
Giulia Banti
Maureen Clarke
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010032
Is Part Of
A related resource in which the described resource is physically or logically included.
Filiputti, Angiolino. Actions of the destroyer Vivaldi
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/335/PFilliputtiA16010127.1.JPG
7e0038ee9eb7f3cf117998c7b489c4ea
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Prisoners of the San Sabba Concentration Camp being brutalised
Subject
The topic of the resource
World War (1939-1945)
Description
An account of the resource
Prisoners kept in the Risiera di San Sabba Concentration Camp are brutalised by German soldiers. Some men are chained to the support columns with manacles, whilst others lie on the ground. In the background a group is pulling a cart with bodies loaded on it. A group of civilians is visible on the right hand side of the picture, some dressed in blue and white striped clothing with a yellow Star of David badge. A group of men in uniform is featured prominently in the foreground, one of them holding a whip.
Label reads “141”; signed by the author; caption reads “TRIESTE, RISIERA di S. SABBA, Dicembre 1943 – Agosto 1944. (I) Unico Lager di sterminio Nazista operante in Italia, per il 3o Reich Trieste e il litorale adriatico di Reiner era “Adriatisches Kusterland [Adriatisches Kustenland], e a salvaguardia di esso, erano dei feroci aguzzini “Gruppenfhurer und Generaleutenant der polizei [Gruppenführer und Generalleutnant der Polizei] Globocnik, Joseph Oberhauser. Capitano Kalzl Werner Dubois, Dietrich Allers, Otto Stadic il boia della Risiera, Enric Gley, sottufficiale Konrad Geng, Corrado Klen. Il commando “Durhganas und polizei-lager, rastrellave gli ebrei si impossessava dei loro beni, li concentrava alla Risiera, per avviarli in Germania. Ma la maggior parte 3000 vittime, sono state soppresse con il sistema, “Treblinka durch-motorenabgase” [Treblinka durch-motorabgase] cioè gassazione con lo scarico di motori a nafta, con gli ebrei c’erano politici e partigiani italiani, e jugoslavi, i loro corpi finivano nei forni, poi le ossa e le ceneri disperse nel mare li vicino.”
Caption translates as: “Trieste, San Sabba rice husking mill – December 1943-August 1944. (1) The only Nazi extermination camp in Italy, operating for the Third Reich in the Operational Zone of the Adriatic Littoral led by Friedrich Rainer. Ferocious jailors were tasked to defend it: Josef Oberhauser, Gruppenführer and general lieutenant of Globocnik’s police; captain Karl Werner Dubois; Dietrich Allers; Otto Stadie, the rice husking mill executioner; Enric Gley; Konrad Geng, petty officer; and Corrado Klen. The command of the “Durchgangs- und Polizeilager” (transit camps and police barracks) was mopping up Jews and seized of their properties, incarcerated them at the rice husking mill before dispatching them to Germany. The majority - 3,000 people - were gassed using with exhaust fumes from diesel engines. This method was used in the Treblinka extermination camp (“Treblinka durch die Abgase des Motors”). Together with the Jews were Italian and Yugoslav political prisoners and partisans. Their corpses were thrown in the ovens; their bones and ashes were scattered in the nearby sea.”
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Contributor
An entity responsible for making contributions to the resource
Alessandro Pesaro
Francesca Campani
Helen Durham
Giulia Banti
Maureen Clarke
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Language
A language of the resource
ita
Spatial Coverage
Spatial characteristics of the resource.
Italy--Trieste
Italy
Type
The nature or genre of the resource
Artwork
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010127
Is Part Of
A related resource in which the described resource is physically or logically included.
Filiputti, Angiolino. San Sabba concentration camp
arts and crafts
Holocaust
Resistance
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/217/PFilliputtiA16010036.2.jpg
66d1cb89b747d38fa878b9bac227a115
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Laconia incident. Part 9
Subject
The topic of the resource
World War (1939-1945)
Description
An account of the resource
On a clear day, a four engined United States Army Air Force aircraft attacks the submarine U-156. Bullets are raining down on the figures on the deck of the submarine. Some of the figures are diving into the water, others are running for cover and some have been shot and are falling down.
Label reads “72”, signed by the author; caption reads “(9) …Mentre il sommergibile navigava a fior di acqua, avvistò un aereo Americano in missione, passarono alcuni minuti, poi un boato seguito da un’ altro scosse il sommergibile, lo fece sussultare, gemere, inclinare, le bombe di profondita avevano colpito i periscopi e danneggiato gli accumulatori. Ci fecero salire in coperta e trasbordare su l’U506 perche l’U156 dovova rapidamente allontanarsi per le avarie riportate. L’aereo che ci aveva bombardato, era un quadrimotore Americano, trasbordammo ancora sull’Annamite, poi a Dakar fu la salvezza. (dal racconto di BB.) FINE
Caption translates as: “(9)… As the submarine navigated just above water, the crew spotted an American aircraft on patrol. A few minutes went by and they heard a rumble, soon followed by another one which shook the submarine. It trembled, groaned, and listed. The depth charges hit the periscopes and damaged the batteries. They made us climb on the deck and were transshipped onto the U506, because the U156 had to swiftly sail away because of damage. The aircraft that bombed us was an American four-engine plane. We transshipped again on the ‘Annamite’. We reached safety in Dakar (From the account of BB.) The End.”
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Contributor
An entity responsible for making contributions to the resource
Alessandro Pesaro
Francesca Campani
Helen Durham
Giulia Banti
Maureen Clarke
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Language
A language of the resource
ita
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010036
Spatial Coverage
Spatial characteristics of the resource.
Atlantic Ocean
Temporal Coverage
Temporal characteristics of the resource.
1942-09
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
Is Part Of
A related resource in which the described resource is physically or logically included.
Filiputti, Angiolino. Laconia incident
arts and crafts
strafing
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/215/PFilliputtiA16010126.2.jpg
ee52b1ff372bfb0380d0df36c0f70393
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Eder, Möhne and Sorpe operation
Description
An account of the resource
A Lancaster flies over the explosion of an Upkeep bouncing bomb against a dam. A second aircraft has been hit by anti-aircraft fire and is plunging towards the water, engulfed in flames and smoke. A third Lancaster is visible on the right with a bomb visible below it.
Label reads “320 bis”; signed by the author; caption reads “16 MAGGIO 1943. Ore 21.28 il primo “Lancaster” inglese dell’operazione “castise” [Chastise] si alza in volo da Scampton, con a bordo il tenente colonello Guj Penrose Gibson [Guj Penrose Gibson] della RAF, pilota notturno dagli obiettivi impossibili, prima sull‘Italia settentrionale, poi sulle dighe della Rhur. Si prova la bomba rotante, o rimbalzante a forma cilindrica, alta m 1.50 diametro di 1.27 pesa 4.196 Kg con carica esplosiva di 2.992 Kg. – 18 bombardieri in 3 ondate attaccano le dighe di Mohne [Möhne], di Sarpe [Sorpe], di Scwelme [Schwelm], e al 3o tentativo quella di Eder, squarciata, 110 milioni di metri cubi d’acqua precipitano a valle. La contraerea spara a zero, 8 bombardieri su 19 sono abbattuti, il 20 settembre 1944 Guj Penrose Gibson [Guy Penrose Gibson] decorato con “Victoria cross” in azione con “master bomber” su Rheidt [Rheydt], sarà abbattuto.”
Caption translates as: “16 May 1943, 9.28 pm. The first British Lancaster involved in operation Chastise took off from Scampton, carrying the RAF Lieutenant Colonel Guy Penrose Gibson. He was the night pilot of impossible operations: at first on the North of Italy, then on the Rhur dams. They tried the rotating bomb, or the bouncing one, a cylindrical device which measuring 1.5 metres in height, 1.27 metres in diameter, weighing 4,196 kilograms, and with an 2.992 kilograms explosive charge. 18 bombers attacked the Möhne, Sorpe and Schwelm [sic} dams in three waves. On the third attempt they hit the dam in Eder. They collapsed and 110 million cubic metres of water rushed downstream. The anti-aircraft artillery fired point blank, shooting down eight bombers out of nineteen. On 20 September 1944, Guy Penrose Gibson, who was honoured with the “Victoria Cross”, was shot down in action as “master bomber” over Rheydt.”
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010126
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Bombing, Aerial
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Spatial Coverage
Spatial characteristics of the resource.
Germany--Eder Dam
Germany--Sorpe Dam
Germany
Germany--Möhne River Dam
Germany--Ruhr (Region)
Temporal Coverage
Temporal characteristics of the resource.
1943-05-16
1943-05-17
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
617 Squadron
anti-aircraft fire
arts and crafts
bombing
bouncing bomb
Eder Möhne and Sorpe operation (16–17 May 1943)
Gibson, Guy Penrose (1918-1944)
Lancaster
Master Bomber
Victoria Cross
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/214/PFilliputtiA16010125.1.jpg
d0f67807e3f1025316adf4939ed7449a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nino Zanninello hides an improvised explosive device inside a bicycle
Description
An account of the resource
In a mountain landscape, a man disassembles a red bicycle. The frame hangs from a tree. Parts and tools are scattered across the ground.
Caption reads “107” and “Novembre 1944. (1) L’inverno si avvicina a grandi passi e necessitano i rifornimenti in viveri armi e munizioni per i patrioti dei monti, ma i passaggi obbligati sono bloccati dai posti di controllo nazi-fascisti la situazione per i garibaldini si fa oltremodo grave. Nino, al secolo Zanninello Nino da S. Giorgio Di Nogaro, ordisce un’audace quanto ingegnosa beffa da giocare a uno di questi posti di blocco, siamo nella zona goriziana, Nino con la collaborazione di alcuni compagni, eseguisce con cautela il ripieno del telaio di una bicicletta, con una buona dose di tritolo, applicando sotto la sella un detonatore a scoppio ritardato…….”
Caption translates as: “November 1944. (1) The winter was approaching quickly and the patriots on the mountains needed food, weapons, and ammunitions. However, the choke point were controlled by Nazi-Fascists guard posts. The situation worsened for the Garibaldi mens. Nino, also known as Zanninello Nino from San Giorgio di Nogaro, conceived a bold and clever mockery against one of the checkpoints in the Gorizia area. Nino, helped by some of his companions, carefully stuffed the bicycle frame with a good amount of TNT. Under the seat, a timer was attached…”
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010125
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Temporal Coverage
Temporal characteristics of the resource.
1944-11
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Spatial Coverage
Spatial characteristics of the resource.
Alps
Italy--Friuli
Italy
Type
The nature or genre of the resource
Artwork
Is Part Of
A related resource in which the described resource is physically or logically included.
Filiputti, Angiolino. Partisans attack a German checkpoint using an improvised explosive device
arts and crafts
Resistance
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/213/PFilliputtiA16010124.2.jpg
0bd0a609c046dbb2b0bb807b1965fcf9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Partisans attack a mountain check point
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010124
Description
An account of the resource
A group of partisans under cover behind rocks in the mountains are firing on a check-point. The figures below have been taken by surprise and are running around holding guns in the air. Two of the four partisans behind the rocks are firing with rifles and the one on the left is about to throw a hand grenade.
Pasted caption reads “Novembre 1944. (3) ….segundo i piani prestabiliti i partigiani attaccano in posizione altistante il posto di blocco costringendo il presidio a rintanarsi nella baracca portandovi seco anche la bicicletta sequestrata….”
Caption translates as: “November 1944. (3) … Executing prearranged plans, the partisans attack the check-point from above, forcing the garrison to hide into the hut, taking with them the previously confiscated bicycle…”
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Temporal Coverage
Temporal characteristics of the resource.
1944-11
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Spatial Coverage
Spatial characteristics of the resource.
Alps
Italy--Friuli
Italy
Type
The nature or genre of the resource
Artwork
Is Part Of
A related resource in which the described resource is physically or logically included.
Filiputti, Angiolino. Partisans attack a German checkpoint using an improvised explosive device
arts and crafts
Resistance
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/212/PFilliputtiA16010123.1.jpg
57de92915ef53cd8927f6eb549cae9b7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bicycle with an improvised explosive device left at a mountain check-point
Description
An account of the resource
Nino Zanninello has been stopped by two of the soldiers manning a mountain check-point. One of the soldiers is holding onto the right handlebar of a bicycle, whilst another soldier is asking him questions and taking down notes.
Caption reads “108”; signed by the author; caption reads “Novembre 1944. (2). …..Avuto notizia che al posto di blocco i nazifascisti requisiscondo le biciclette prive di permesso: Nino vi si reca per escogitare il suo piano. Giuntovi gli vengono richiesti i documenti, lui dice di averli dimenticati a casa e asserisce di andare a prenderli, e con rapida mossa preme il detonatore sotto la sella, e con fare rammaricato si avvia a piedi verso la valle, mentre la bicicletta viene prelevata e appogiata alla baracca da un Tedesco…..”
Caption translates as: “November 1944. (2) … After hearing that Nazi-Fascists manning checkpoints confiscate all bicycles ridden by civilians without papers, Nino went there to devise his plan. As he approached, they asked for his papers. He said he forgot and left them at home and that he would go back to fetch them. Meanwhile, he rapidly pushed the timer button under the seat. Then, looking dispirited, he headed back towards the valley on foot. The German soldier collected the bicycle and placed it on one side of the hut…”
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010123
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Italy--Friuli
Alps
Italy
Temporal Coverage
Temporal characteristics of the resource.
1944-11
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
Is Part Of
A related resource in which the described resource is physically or logically included.
Filiputti, Angiolino. Partisans attack a German checkpoint using an improvised explosive device
arts and crafts
Resistance
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/211/PFilliputtiA16010122.2.jpg
3eb36c7173e4f8bd1db2493d9461c2bb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Explosion of an improvised explosive device at a mountain check point
Description
An account of the resource
An explosion destroys a check-point killing many soldiers. A machine gun emplacement is visible on the left hand side.
Caption reads “10” and “Novembre 1944. (4) Costretti dal fuoco dei partigiani, a starsene nell’interno della baracca, dove la carica della bicicletta esauritasi esplodeva con cupo flagore [sic], il presidio veniva quasi per intero annientato. (Da particolari)”
Caption translates as: “November 1944. (4) Forced by Partisan fire to remain inside the hut, the garrison was almost entirely annihilated when the timer set off the explosive and destroyed he hut in a deep rumble. (After eyewitnesses)”
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010122
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Temporal Coverage
Temporal characteristics of the resource.
1944-11
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Spatial Coverage
Spatial characteristics of the resource.
Alps
Italy--Friuli
Italy
Type
The nature or genre of the resource
Artwork
Is Part Of
A related resource in which the described resource is physically or logically included.
Filiputti, Angiolino. Partisans attack a German checkpoint using an improvised explosive device
arts and crafts
Resistance
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/210/PFilliputtiA16010121.1.jpg
57c8747c4276ba16b84f4ae2906f3143
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Atomic bombings of Hiroshima and Nagasaki. Part 6
Description
An account of the resource
A mushroom cloud is prominent in the top of the painting with a smaller cloud lower down on a pillar of flame. Below that is a scene of mass devastation.
Inscriptions read “315” signed by the author; caption reads “(6)… Poi la testa del fungo si staccò, e salì vertiginosamente verso la stratosfera, ed al suo posto cominciò ad apparire, un secondo fungo più piccolo, come un mostro decapitato, al quale spuntasse una nuova testa. Risultato di questa orribile azione di guerra: 42.221 morti, 40.000 feriti, 743.00 senza tetto e…la resa del GIAPPONE.
Caption translates as: “(6)… Then, the head of the mushroom separated and flew up vertically in the stratosphere. In its wake, a second, smaller mushroom appeared, like a mutilated monster putting out another head. This horrendous war operation resulted in 42,221 deaths, 40,000 people injured, and 743,000 people evacuated. Moreover, it led to the capitulation of Japan.”
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010121
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Atomic bomb
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Japan--Hiroshima-shi
Japan--Nagasaki-shi
Japan
Temporal Coverage
Temporal characteristics of the resource.
1945-08-06
1945-08-09
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
Is Part Of
A related resource in which the described resource is physically or logically included.
Filiputti, Angiolino. Atomic bombings of Hiroshima and Nagasaki
arts and crafts
bombing
bombing of Hiroshima (6 August 1945)
bombing of Nagasaki (9 August 1945)
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/209/PFilliputtiA16010120.2.jpg
8220ce417d213257a21f0ff66caceb55
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Atomic bombings of Hiroshima and Nagasaki. Part 5
Description
An account of the resource
Buildings are engulfed in flames and a mushroom-shaped cloud of smoke and fire starts to expand over the town. Mass devastation is visible.
Inscriptions read “314” signed by the author; caption reads “(5)…E finalmente la sommità si aprì ad ombrello come un’immenso fungo che si agitava e ribolliva come schiuma cremosa…”.
Caption translates as: “(5)… Finally, the top section opened like an umbrella, like a huge mushroom, shaking and seething like creamy foam…”.
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010120
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Atomic bomb
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Japan--Nagasaki-shi
Japan
Temporal Coverage
Temporal characteristics of the resource.
1945-08-06
1945-08-09
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
Is Part Of
A related resource in which the described resource is physically or logically included.
Filiputti, Angiolino. Atomic bombings of Hiroshima and Nagasaki
arts and crafts
bombing
bombing of Hiroshima (6 August 1945)
bombing of Nagasaki (9 August 1945)
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/208/PFilliputtiA16010119.1.jpg
eaf21035b48dfaa8560e8d4fa9576944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Atomic bombings of Hiroshima and Nagasaki. Part 4
Description
An account of the resource
Buildings and people (visible as stick figures at the bottom of the image) are engulfed in flames as a column of fire and smoke rises into the sky.
Inscriptions read “313” signed by the author; caption reads “(4)… Alla fine quella sorta di spaventevole meteora, prese forma di un’immenso pilastro quadrato alla base circa 5 KM, e restringendosi alla sommita’, a circa 1KM e mezzo. La parte inferiore era di color marrone, il centro color ambra, e la sommità bianca…”
Caption translates as: “(4)… In the end, that sort of dreadful meteor took the form of a huge, squared column. At its base, it extended for roughly 5 kilometres narrowing at the top and extending for roughly one and a half kilometres. The lower section was brown, the central part amber, and the top white…”
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010119
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Atomic bomb
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Japan--Hiroshima-shi
Japan--Nagasaki-shi
Japan
Temporal Coverage
Temporal characteristics of the resource.
1945-08-06
1945-08-09
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
Is Part Of
A related resource in which the described resource is physically or logically included.
Filiputti, Angiolino. Atomic bombings of Hiroshima and Nagasaki
arts and crafts
bombing
bombing of Hiroshima (6 August 1945)
bombing of Nagasaki (9 August 1945)
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/207/PFilliputtiA16010118.1.jpg
80576872cf5045e64aba92828cdd6f23
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Atomic bombings of Hiroshima and Nagasaki. Part 3
Description
An account of the resource
While fire is engulfing the town, a mushroom-shaped fire-ball and smoke rise into the sky.
Inscriptions read “312”; signed by the author; caption reads “(3)… Poi sopra la palla di fuoco, apparve una colonna incandescente di colore rosso violaceo che salì rapidissimamente fino all‘altezza di 3000 metri; erano passati appena 45 secondi…”
Caption translates as: “(3)… Then, above the fire ball, appeared an incandescent, red and violet column, which swiftly rose to 3,000 metres in only 45 seconds…”
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010118
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Atomic bomb
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Japan--Hiroshima-shi
Japan--Nagasaki-shi
Japan
Temporal Coverage
Temporal characteristics of the resource.
1945-08-06
1945-08-09
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
Is Part Of
A related resource in which the described resource is physically or logically included.
Filiputti, Angiolino. Atomic bombings of Hiroshima and Nagasaki
arts and crafts
bombing
bombing of Hiroshima (6 August 1945)
bombing of Nagasaki (9 August 1945)
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/206/PFilliputtiA16010117.2.jpg
d01e2cb8e419d04ee27ac9065b303276
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Atomic bombings of Hiroshima and Nagasaki. Part 2
Description
An account of the resource
An enormous fireball is expanding above a built-up area, surrounded by rings of smoke. Building are destroyed and lattice structures have been thrown up in the air.
Inscriptions read “311”; signed by the author; Caption reads “(2)… alla prima esplosione, nè succeddettero altre quattro piu lievi, che parevano colpi di cannone: e finalmente si vide un’ enorme sfera di cuoio, che sembrava sorgere dalle viscere della terra, eruttando immensi anelli di fumo bianco…”
Caption translates as: “(2)… The first explosion was followed by four weaker ones, which sounded like cannon shoots. Finally, what looked like an enormous leather ball was visible. It looked like it rose from the bowels of the earth, spewing out huge rings of white smoke…”.
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010117
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Atomic bomb
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Japan--Hiroshima-shi
Japan--Nagasaki-shi
Japan
Temporal Coverage
Temporal characteristics of the resource.
1945-08-06
1945-08-09
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
Is Part Of
A related resource in which the described resource is physically or logically included.
Filiputti, Angiolino. Atomic bombings of Hiroshima and Nagasaki
arts and crafts
bombing
bombing of Hiroshima (6 August 1945)
bombing of Nagasaki (9 August 1945)
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/205/PFilliputtiA16010116.2.jpg
d78bd9270eb83ca03b92baf944b66d41
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Atomic bombings of Hiroshima and Nagasaki. Part 1
Description
An account of the resource
An enormous explosion is occurring above a built-up area. Buildings are destroyed and lattice structures have been thrown into the air.
Inscriptions read “311”; signed by the author; Caption reads “HJROSHIMA E NAGASAKI 5-9 Agosto 1945. Giappone. (I) Dal racconto di un componente l’equipaggio del B.29 americano che sgancio’ la “bomba atomica” sulle due citta’ giapponesi: “quando fu’ azionato il congegno di sganciamento, si vide un oggetto nero piu’ piccolo di una grossa bomba, sganciarsi dall’apaprecchio. Poi succedette una forte esplosione, e si vide un lampo luminosissimo, la luce duro’ per qualche [sic], era di colore azzurro verde, che illuminava tutto il cielo...”
Caption translates as: “Hiroshima and Nagasaki – 5-9 August 1945, Japan. (1) From the account of a crew member on board the American B-29 Superfortress aircraft that dropped the “atomic bomb” on the two Japanese cities: “When the releasing device was activated, a black object – smaller than a high-capacity bomb – was released from the aircraft. It was followed by an intense explosion and a very bright light filled the sky. It lasted a couple of [seconds]. It was blue-green and lit up the whole sky…”
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010116
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Atomic bomb
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Japan--Hiroshima-shi
Japan--Nagasaki-shi
Japan
Temporal Coverage
Temporal characteristics of the resource.
1945-08-06
1945-08-09
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
Is Part Of
A related resource in which the described resource is physically or logically included.
Filiputti, Angiolino. Atomic bombings of Hiroshima and Nagasaki
arts and crafts
bombing
bombing of Hiroshima (6 August 1945)
bombing of Nagasaki (9 August 1945)
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/204/PFilliputtiA16010115.2.jpg
fcdcb931ffb581d145a9683ea0349f47
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Enrico da Ronca persuades the partisan 'Romano' to stop the violence
Description
An account of the resource
In a town square, a figure in priest's clothes approaches a partisan who is brandishing a sub-machine gun. Two other figures in uniform are featured on the right hand side. Three Italian flags are visible on a bell tower with a clock.
Label reads “302”; signed by the author; caption reads “S. GIORGIO DI NOGARO UD. Maggio 1945, Citossi Gelindo “Romano” il mancino, in quel periodo turbinoso di paura e di violenza, con i nazi-fascisti imperversanti dappertutto e i partigiani braccati, casa per casa, un pugno di uomini guidati da Romano sfido’ il nemico, con avventurosa audacia. Restituendoli colpo su colpo , sfuggendo alle imboscate, spostandosi continuamente e seminando il terrore con il nome di “diavoli rossi”, condussero una guerriglia accanita, servendosi spesso di carri agricoli, mascherati e carichi di armi. Attaccando anche in pieno giorno; e’ sara’ il battaglione “diavoli rossi” a liberare Palmanova il 28 aprile 1945. Entrando in S. Giorgio di Nogaro il parroco Enrico da Ronca, gli si fece incontro, e lo supplica “basta sangue”! Romano ubbidisce. La Patria per un lungo periodo, non della resistenza, lo ricompensa con l’esilio in Jugoslavia, dove moriva. L’ultima visita in S. Giorgio, la fece a me’, sapeva che avevo disegnato le sue gesta, era amareggiato mi disse: Romano, non vogliamo fumo! [sic] E’ gli reindicarono la via dell’esilio.”
Label translates as: “S. Giorgio di Nogaro (Udine province), May 1945 – Citossi Gelindo “Romano”, the left-handed. At the time, the atmosphere was whirling with fear and violence. The Nazi-Fascists were raging everywhere, and the partisans were hunted door to door. A bunch of men, led by Romano, daringly challenged the enemies. They matched them blow for blow; they escaped the ambushes by continuously moving; and they spread fear under the name of “red devils”. They carried out a determined guerrilla warfare, often using farming carts, which were disguised and loaded with weapons. They even attacked in broad delight. The “red devils” battalion was the one who freed Palmanova on 28 April 1945. While entering San Giorgio di Nogaro (Udine province), the vicar – Enrico da Ronco – went towards Romano and begged him to stop the brutalities. Romano obeyed him. As a result of this, his homeland rewarded him by banishing him to Yugoslavia, where he died. The last time he was in San Giorgio, he came visiting me. He knew that I painted his deeds. He was embittered by his banishment, having been told: “Romano, we don’t want smoke!" [i.e. "Romano, we need to keep things quiet"], and sent him into exile.”
Additional information kindly provided by Monica Emmanuelli.
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010115
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Italy--San Giorgio di Nogaro
Italy
Temporal Coverage
Temporal characteristics of the resource.
1945-05
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
arts and crafts
home front
Resistance
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/203/PFilliputtiA16010114.1.jpg
e9a22af20fe6cd3f6d18f30fe6ae4680
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Aftermath of a failed attempt at defusing a bomb
Description
An account of the resource
Members of the Unione Nazionale Protezione Antiaerea are clearing the rubble and debris of a severely damaged terraced building. Another broken wall is visible on the right of the picture. A woman and a young girl are stopped by one of the men on the left, whilst another onlooker stands in the doorway of the premises next door.
Label reads “298”; signed by the author; caption reads “2 MAGGIO 1945. L’UNPA al lavoro dopo il recupero delle salme, in seguito allo scopio della bomba che ha troncato 25 giovani vite a S. GIORGIO di NOGARO. UD”.
Caption translates as: “2 May 1945. The National Union for the Anti-Aircraft Protection (UNPA) rescuing of the bodies of the 25 victims of the bomb explosion in San Giorgio di Nogaro (Udine province).”
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010114
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Bombing, Aerial
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Italy--San Giorgio di Nogaro
Italy
Temporal Coverage
Temporal characteristics of the resource.
1945-05-02
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
arts and crafts
bomb disposal
bombing
civil defence
Unione Nazionale Protezione Antiaerea
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/202/PFilliputtiA16010113.2.jpg
216d31a9b5abaf98cbf87049e68e0865
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Prisoners of war volunteer to defuse a bomb
Description
An account of the resource
People are held back outside the gate of a walled yard as a trolley carrying an unexploded bomb is pulled by five men, four dressed in green and one in a white shirt with the colours of the Italian flag. A young boy has climbed a column just outside the gate. In the foreground, three men are wearing armbands with the Italian colours visible. Two are gesturing with open arms towards the third man as he pulls at the strap of his gun.
Label reads “297”; signed by the author; Caption reads “2 MAGGIO 1945. S. GIORGIO di NOGARO UD. Prigionieri “SS” spagnoli, in realtà erano degli arruolati istriani, offertisi di spolettare e trasportare una bomba, rimasta inesplosa durante l’azione notturna di “Pippo” del 23 Febbraio. Rimasta interrata nella cantina, veniva rimossa e transportata verso il cancello, d’uscita, dove un nugolo di curiosi si assiepavano, essendo stati tolti i cordoni di sicurezza. Erano le 11.00, un boato tremendo, lacerava il paese in festa, la bomba era esplosa provocando un massacro, 25 le vittime, 5 patrioti, 2 ignoti e molti feriti. Il disegno nato il giorno della sciagura; da sinistra R.M. - F.L. - R.P. -A.M.- A.S. assieme a 3 prigionieri istriani. Una mamma di questi soldati ignoti venne dall’Istria in cerca del figlio che sapeva a S. Giorgio, io la vidi, quanto pi’anse, ma nessuno l’aiutò.”
Caption translates as: “2 May 1945 – San Giorgio di Nogaro (Udine province). Spanish Schutzstaffel [sic] prisoners, who as a matter of facts were Istrian enlisted soldiers, offered to defuse and carried away a bomb that had not detonated following 23 February Pippo’s night bombing. It remained buried in the basement; it was removed and transported towards the main gate, where a crowd of onlookers gathered as the area was no longer cordoned off. It was 11.00 am; a terrible boom shocked the jubilant population. The bomb had exploded resulting in 25 victims (five patriots, two unknowns, and many injured); it was a massacre. This artwork was finished that same day. It depicts (from left to right): R.M., F.L., R.F., A.M., and A.S., together with three Istrian prisoners. One of the soldiers’ mothers came from Istria looking for her son, knowing he was in San Giorgio. I saw her. How much she cried! - no one helped her.”
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010113
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Bombing, Aerial
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Italy--San Giorgio di Nogaro
Italy
Temporal Coverage
Temporal characteristics of the resource.
1945-05-02
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
arts and crafts
bomb disposal
bombing
civil defence
Pippo
prisoner of war
Unione Nazionale Protezione Antiaerea
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/200/PFilliputtiA16010111.1.jpg
83148f1a94d1eb5c5429dd8baf083e79
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Spanish SS [sic] execute three civilians at S. Giorgio di Nogaro
Description
An account of the resource
Six soldiers have captured three civilians near a high stone wall. One of the civilians has been shot in the face and is falling to the ground. The two remaining civilians have been blindfolded and have guns pointed to their heads. An officer is walking away from the scene carrying his gun.
Inscriptions read “287”; signed by the author; caption reads “29 APRILE 1945. 3 civili spogliati dei loro vestiti, e trucidati dalle “SS” spagnole dietro il cimitero di S. Giorgio di Nogaro UD”.
Caption translates as: “29 April 1945. Three civilians are forcedly disrobed and then slaughtered by Spanish Schutzstaffel [sic] behind the cemetery of San Giorgio di Nogaro (Udine province).”
Spatial Coverage
Spatial characteristics of the resource.
Italy--San Giorgio di Nogaro
Italy
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010111
Temporal Coverage
Temporal characteristics of the resource.
1945-04-29
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
arts and crafts
Resistance
Waffen-SS
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/199/PFilliputtiA16010110.1.jpg
fa978e2b36f83823a3a2ac93400e3346
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Partisans neutralise the Carlino garrison
Description
An account of the resource
Four German soldiers have been captured by men in khaki and red uniforms. The Germans have thrown their guns to the ground and hold their arms up in the air in surrender. A large house and water-mill are visible in the background.
Inscriptions read “284” signed by the author; caption reads “29 APRILE 1945. Partigiani della “Garibaldi” disarmano il presidio tedesco di CARLINO UD”.
Caption translates as: “29 April 1945. Partisans of the “Garibaldi” unit disarmed the German garrison in Carlino (Udine province).”
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010110
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Italy--Carlino
Italy
Temporal Coverage
Temporal characteristics of the resource.
1945-04-29
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
arts and crafts
Resistance
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/198/PFilliputtiA16010109.2.jpg
abdb40b22aaba14b564b7ebec56c479d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Partisans attack SS soldiers in a barn
Description
An account of the resource
Men in khaki uniforms attack a stable where three German soldiers are hiding. A German soldier has been hit and is falling onto the ground, while two of the soldiers in khaki have also been hit and are falling down. One German soldiers is firing a sub-machine gun directly at his enemies, as is the partisan on the other side.
Inscriptions read “281” signed by the author; Caption reads “28 APRILE 1945. Attacco di patrioti in zona Rotonda a un gruppo di “SS” asseragliati in una stalla, nello scontro succedutosi, 3 tedeschi rimanevano uccisi, 3 patrioti feriti”.
Caption translates as: “28 April 1945. A group of Schutzstaffel soldiers, hidden in a barn, attack some patriots near Rotonda. Three Germans got killed and three patriots were injured in the conflict.”
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010109
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Italy--Friuli
Italy
Temporal Coverage
Temporal characteristics of the resource.
1945-04-28
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
arts and crafts
Resistance
Waffen-SS
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/197/PFilliputtiA16010108.1.jpg
796781a672404a7f10a48925075e67b9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Partisans storm the S. Gervasio garrison
Description
An account of the resource
Men have surrounded a house and captured two German soldiers. Guns are pointed at the surrendering men, who have their arms held up. In the doorway of a house, one of the soldiers is being searched. The partisans are wearing mainly everyday clothes but two are wearing military style caps. In the foreground, crates are in a pile with "100 H3" painted on in black.
Label read “279” signed by the author: caption reads “27 APRILE 1945. Il presidio Tedesco di S. Gervasio disarmato, e catturato da patrioti maranesi, con un bottino di 70 quintali di munizioni. S. GIORGIO di NOGARO. UD”.
Caption translates as: “27 April 1945. The German garrison in San Gervasio was disarmed and imprisoned by patriots from Marano who also found 7 metric tons of ammunitions – San Giorgio di Nogaro (Udine province).”
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010108
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Italy--San Giorgio di Nogaro
Italy
Temporal Coverage
Temporal characteristics of the resource.
1945-04-27
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
arts and crafts
Resistance
-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/196/PFilliputtiA16010107.1.jpg
1a1b466ce182f56d9b802e86c5d91348
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
P-38 attacks the San Giorgio di Nogaro railway bridge
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010107
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Bombing, Aerial
United States. Army Air Forces
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Description
An account of the resource
A dual truss railway bridge has been attacked by a P-38 fighter flying at near-ground altitude. The metal structures are engulfed in flames while debris is falling all around. A collapsed telegraph pole is visible in the bottom left corner. Five more P-38s are visible at the top of the picture, four flying towards the right whilst the fifth is pointing towards the bridges. A bomb is visible below it.
Label reads “279”; signed by the author; caption reads “26 APRILE 1945. Locheed [Lockheed] P.38 attaccano con le bombe “HC” erano chiamate “block-busters (spiana isolati) per il loro immenso potere distruttivo, simili a grandi caldaie cilindriche, privi di pinne direzionali; il ponte della ferrovia sul fiume Corno, a S. Giorgio di NOGARO UD.”
Caption translates as: “26 April 1045. Lockheed P-38 fighter aircraft attack using high-capacity bombs, known as Blockbusters. These bombs were used because of their great destructive force. They looked like big, cylindrical boilers, lacking directional fins. Portrayed here is the railway bridge on the Corno river in San Giorgio di Nogaro (Udine province).”
Spatial Coverage
Spatial characteristics of the resource.
Italy--San Giorgio di Nogaro
Italy
Temporal Coverage
Temporal characteristics of the resource.
1945-04-26
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
arts and crafts
bombing
P-38