-
https://ibccdigitalarchive.lincoln.ac.uk/omeka/files/original/27/125/PFilliputtiA16010035.1.jpg
09656e8378d27a25f55a7c0f7d546b6e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Filiputti, Angiolino
Angiolino Filiputti
Alfonsino Filiputti
A Filiputti
Description
An account of the resource
127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud.
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in 2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro.
Originals are on display at
Biblioteca comunale di San Giorgio di Nogaro
Piazza Plebiscito, 2
33058 San Giorgio di Nogaro (UD)
ITALY
++39 0431 620281
info.biblioteca@comune.sangiorgiodinogaro.ud.it
The collection was catalogued by IBCC Digital Archive staff.
Identifier
An unambiguous reference to the resource within a given context
Filiputti, A-S
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Laconia incident. Part 8
Description
An account of the resource
A lifeboat from the Laconia floats on rough seas with eleven figures on board, among them two Polish soldiers. The soldier on the left is standing over the others in the boat. He has a pistol in his right hand and is pointing it at the occupants of the boat. The soldier on the right has used an axe to hack off the right hand of an Italian survivor trying to clamber into the lifeboat. Blood is spurting out of the wound and the man is screaming in pain. A third man in the bow of the lifeboat is wielding a club.
Label reads “53”; signed by the author. Caption reads “(8)… fummo salvati dall’affondatore del Lakonia, l’UI56 e vi rimanemmo 3 giorni. Al 2o giorno incontrammo una scialuppa, carica di inglesi, il comandante del sommergibile cui fummo trasbordati,.. chiamò a bordo un soldato italiano, che le [sic] fece questo agghiacciante racconto: durante la notte del 12 due italiani, a bordo di una scialuppa inglese, si erano mescolati a loro senza che ne se accorgessero, scoperti, i due erano di troppo per i viveri di bordo, si era deciso di tenerne uno solo, l’altro doveva essere lasciato in mare. Ma questi non voleva sganciarsi dalla scialuppa, e si aggrappava ai bordi con la forza della diperazione. I 2 soldati polacchi con una scure gli recisero le mani. Il comandante del sottomarino, fatto sgomberare il ponte da tutti noi, rimase solo con i due polacchi, uccidendoli…”
Caption translates as: “(8)… We were saved from the sinking of the Laconia by the U156 and we stayed aboard for three days. On the second day we came across a lifeboat full of British [personnel]. The captain of the submarine on which we were trans-shipped spoke to one of the Italian soldiers on board, who told an appalling story: on the 12th, at night, two Italians jumped on board a British lifeboat, mixing with them without anyone noticing. When they got caught, the British soldiers realised they were surplus and the food was insufficient for everyone. Therefore, it was decided that only one was allowed to stay onboard and the other one had to be abandoned in the sea. However, the latter refused to disengage himself from the lifeboat and desperately held on to the gunwales. Two Polish soldiers severed his hands with a hatchet. The captain of the submarine, after ordering us to leave the deck, remained alone with the two Poles and killed them…”
Identifier
An unambiguous reference to the resource within a given context
PFilliputtiA16010035
Language
A language of the resource
ita
Creator
An entity primarily responsible for making the resource
Angiolino Filiputti
Contributor
An entity responsible for making contributions to the resource
Francesca Campani
Alessandro Pesaro
Helen Durham
Giulia Banti
Maureen Clarke
Subject
The topic of the resource
World War (1939-1945)
Publisher
An entity responsible for making the resource available
IBCC Digital Archive
Format
The file format, physical medium, or dimensions of the resource
One tempera on paper, pasted on mount board
Spatial Coverage
Spatial characteristics of the resource.
Atlantic Ocean
Temporal Coverage
Temporal characteristics of the resource.
1942-09
Rights
Information about rights held in and over the resource
This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.
Type
The nature or genre of the resource
Artwork
Is Part Of
A related resource in which the described resource is physically or logically included.
Filiputti, Angiolino. Laconia incident
arts and crafts