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      <src>https://ibccdigitalarchive.lincoln.ac.uk/files/original/27/113/PFilliputtiA16010023.jpg</src>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Filiputti, Angiolino</text>
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                <text>Angiolino Filiputti</text>
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                <text>Alfonsino Filiputti</text>
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                <text>A Filiputti</text>
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            <description>An account of the resource</description>
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                <text>127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud. &#13;
&#13;
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in  2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).&#13;
 &#13;
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro. &#13;
&#13;
Originals are on display at&#13;
&#13;
Biblioteca comunale di San Giorgio di Nogaro&#13;
Piazza Plebiscito, 2&#13;
33058 San Giorgio di Nogaro (UD)&#13;
ITALY&#13;
++39 0431 620281&#13;
info.biblioteca@comune.sangiorgiodinogaro.ud.it&#13;
&#13;
The collection was catalogued by IBCC Digital Archive staff.</text>
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                <text>Filiputti, A-S</text>
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            <name>Publisher</name>
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                <text>IBCC Digital Archive</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.</text>
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        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Sinking of the SS Galilea. Part 2</text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>Ten Alpini dressed in green and with bare feet are in the water, clinging to the outside of a round, yellow life raft. One figure is wearing a life jacket. To the right of the life raft, a further figure is being swept away and another body is partially submerged with just legs and boots showing. Pieces of debris are floating by.&#13;
&#13;
Label reads “52”; signed by the author; caption reads “… un Cant Z506 della croce rossa tenta un ammaraggio capovolgendosi, il mare era una distesa di cadaveri, si vide una strana immensa margherita, si trattava di una decina di alpini morti, che si tenevano per mano, al centro di essi c’era un salvagente giallo. Tanti capellini e tante mantelline, relitti, pezzi di legno, carcasse di animali morti, valigie, lancie rovesciate, su una zattera stavano aggrappati disperatamente quattro uomini recuperati poi da un bastimento… 2”&#13;
&#13;
Caption translates as: “A CANT Z.506 patrol aircraft of the Red Cross tried to land at the sea, but it capsized. The expanses of sea looked as if it were covered in corpses. We saw a large, grotesque daisy, formed of ten dead Alpini holding their hands. A yellow lifebelt in the middle. Many hats and capes, flotsam, dead animal remains, suitcases, capsized motorboats… Four men were desperately holding onto a raft, before being rescued by a cargo ship… 2”</text>
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              <text>PFilliputtiA16010023</text>
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          <name>Language</name>
          <description>A language of the resource</description>
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              <text>ita</text>
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          <name>Creator</name>
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            <elementText elementTextId="1952">
              <text>Angiolino Filiputti</text>
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        <element elementId="37">
          <name>Contributor</name>
          <description>An entity responsible for making contributions to the resource</description>
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              <text>Francesca Campani</text>
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            <elementText elementTextId="2202">
              <text>Alessandro Pesaro</text>
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            <elementText elementTextId="2327">
              <text>Helen Durham</text>
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            <elementText elementTextId="744650">
              <text>Giulia Banti</text>
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            <elementText elementTextId="744777">
              <text>Maureen Clarke</text>
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        <element elementId="49">
          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>World War (1939-1945)</text>
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              <text>IBCC Digital Archive</text>
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          <name>Format</name>
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              <text>One tempera on paper, pasted on mount board</text>
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          <name>Spatial Coverage</name>
          <description>Spatial characteristics of the resource.</description>
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            <elementText elementTextId="3432">
              <text>Mediterranean Sea</text>
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        <element elementId="82">
          <name>Temporal Coverage</name>
          <description>Temporal characteristics of the resource.</description>
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            <elementText elementTextId="3433">
              <text>1942-03-29</text>
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          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
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            <elementText elementTextId="4461">
              <text> This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.</text>
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              <text>Artwork</text>
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              <text>Filiputti, Angiolino. Sinking of the SS Galilea</text>
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