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                  <text>127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud. &#13;
&#13;
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in  2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).&#13;
 &#13;
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro. &#13;
&#13;
Originals are on display at&#13;
&#13;
Biblioteca comunale di San Giorgio di Nogaro&#13;
Piazza Plebiscito, 2&#13;
33058 San Giorgio di Nogaro (UD)&#13;
ITALY&#13;
++39 0431 620281&#13;
info.biblioteca@comune.sangiorgiodinogaro.ud.it&#13;
&#13;
The collection was catalogued by IBCC Digital Archive staff.</text>
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                <text>Atomic bombings of Hiroshima and Nagasaki. Part 1</text>
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Inscriptions read “311”; signed by the author; Caption reads “HJROSHIMA E NAGASAKI 5-9 Agosto 1945. Giappone. (I) Dal racconto di un componente l’equipaggio del B.29 americano che sgancio’ la “bomba atomica” sulle due citta’ giapponesi: “quando fu’ azionato il congegno di sganciamento, si vide un oggetto nero piu’ piccolo di una grossa bomba, sganciarsi dall’apaprecchio. Poi succedette una forte esplosione, e si vide un lampo luminosissimo, la luce duro’ per qualche [sic], era di colore azzurro verde, che illuminava tutto il cielo...”&#13;
&#13;
Caption translates as: “Hiroshima and Nagasaki – 5-9 August 1945, Japan. (1) From the account of a crew member on board the American B-29 Superfortress aircraft that dropped the “atomic bomb” on the two Japanese cities: “When the releasing device was activated, a black object – smaller than a high-capacity bomb – was released from the aircraft. It was followed by an intense explosion and a very bright light filled the sky. It lasted a couple of [seconds]. It was blue-green and lit up the whole sky…”</text>
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&#13;
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in  2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).&#13;
 &#13;
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro. &#13;
&#13;
Originals are on display at&#13;
&#13;
Biblioteca comunale di San Giorgio di Nogaro&#13;
Piazza Plebiscito, 2&#13;
33058 San Giorgio di Nogaro (UD)&#13;
ITALY&#13;
++39 0431 620281&#13;
info.biblioteca@comune.sangiorgiodinogaro.ud.it&#13;
&#13;
The collection was catalogued by IBCC Digital Archive staff.</text>
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&#13;
Inscriptions read “311”; signed by the author; Caption reads “(2)… alla prima esplosione, nè succeddettero altre quattro piu lievi, che parevano colpi di cannone: e finalmente si vide un’ enorme sfera di cuoio, che sembrava sorgere dalle viscere della terra, eruttando immensi anelli di fumo bianco…”&#13;
&#13;
Caption translates as: “(2)… The first explosion was followed by four weaker ones, which sounded like cannon shoots. Finally, what looked like an enormous leather ball was visible. It looked like it rose from the bowels of the earth, spewing out huge rings of white smoke…”.</text>
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&#13;
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in  2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).&#13;
 &#13;
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro. &#13;
&#13;
Originals are on display at&#13;
&#13;
Biblioteca comunale di San Giorgio di Nogaro&#13;
Piazza Plebiscito, 2&#13;
33058 San Giorgio di Nogaro (UD)&#13;
ITALY&#13;
++39 0431 620281&#13;
info.biblioteca@comune.sangiorgiodinogaro.ud.it&#13;
&#13;
The collection was catalogued by IBCC Digital Archive staff.</text>
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&#13;
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in  2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).&#13;
 &#13;
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro. &#13;
&#13;
Originals are on display at&#13;
&#13;
Biblioteca comunale di San Giorgio di Nogaro&#13;
Piazza Plebiscito, 2&#13;
33058 San Giorgio di Nogaro (UD)&#13;
ITALY&#13;
++39 0431 620281&#13;
info.biblioteca@comune.sangiorgiodinogaro.ud.it&#13;
&#13;
The collection was catalogued by IBCC Digital Archive staff.</text>
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&#13;
Caption translates as: “(4)… In the end, that sort of dreadful meteor took the form of a huge, squared column. At its base, it extended for roughly 5 kilometres narrowing at the top and extending for roughly one and a half kilometres. The lower section was brown, the central part amber, and the top white…”</text>
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&#13;
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in  2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).&#13;
 &#13;
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro. &#13;
&#13;
Originals are on display at&#13;
&#13;
Biblioteca comunale di San Giorgio di Nogaro&#13;
Piazza Plebiscito, 2&#13;
33058 San Giorgio di Nogaro (UD)&#13;
ITALY&#13;
++39 0431 620281&#13;
info.biblioteca@comune.sangiorgiodinogaro.ud.it&#13;
&#13;
The collection was catalogued by IBCC Digital Archive staff.</text>
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                <text>Buildings are engulfed in flames and a mushroom-shaped cloud of smoke and fire starts to expand over the town. Mass devastation is visible.&#13;
&#13;
Inscriptions read “314” signed by the author; caption reads “(5)…E finalmente la sommità si aprì ad ombrello come un’immenso fungo che si agitava e ribolliva come schiuma cremosa…”.&#13;
&#13;
Caption translates as: “(5)… Finally, the top section opened like an umbrella, like a huge mushroom, shaking and seething like creamy foam…”.</text>
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                <text> This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.</text>
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                  <text>127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud. &#13;
&#13;
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in  2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).&#13;
 &#13;
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro. &#13;
&#13;
Originals are on display at&#13;
&#13;
Biblioteca comunale di San Giorgio di Nogaro&#13;
Piazza Plebiscito, 2&#13;
33058 San Giorgio di Nogaro (UD)&#13;
ITALY&#13;
++39 0431 620281&#13;
info.biblioteca@comune.sangiorgiodinogaro.ud.it&#13;
&#13;
The collection was catalogued by IBCC Digital Archive staff.</text>
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                  <text>This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.</text>
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                <text>A mushroom cloud is prominent in the top of the painting with a smaller cloud lower down on a pillar of flame. Below that is a scene of mass devastation.&#13;
&#13;
Inscriptions read “315” signed by the author; caption reads “(6)… Poi la testa del fungo si staccò, e salì vertiginosamente verso la stratosfera, ed al suo posto cominciò ad apparire, un secondo fungo più piccolo, come un mostro decapitato, al quale spuntasse una nuova testa. Risultato di questa orribile azione di guerra: 42.221 morti, 40.000 feriti, 743.00 senza tetto e…la resa del GIAPPONE.&#13;
&#13;
Caption translates as: “(6)… Then, the head of the mushroom separated and flew up vertically in the stratosphere. In its wake, a second, smaller mushroom appeared, like a mutilated monster putting out another head. This horrendous war operation resulted in 42,221 deaths, 40,000 people injured, and 743,000 people evacuated. Moreover, it led to the capitulation of Japan.”</text>
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                  <text>21 items. All photographs of places, aircraft and people taken on Tinian and Saipan around the time of the B-29 atomic bomb operations to Nagasaki and Hiroshima </text>
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                  <text>This content is property of the Leonard Cheshire Archive which has kindly granted the International Bomber Command Centre Digital Archive a royalty-free permission to publish it. Please note that it was digitised by a third-party which used technical specifications that may differ from those used by International Bomber Command Centre Digital Archive. It has been published here ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre.</text>
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                <text>Colour photograph of the nose of 'Bockscar', the USAF B-29 bomber that dropped the 'Fat Man' bomb over Nagasaki on 9 August 1945. With nose art of railway line with a rail boxcar with wings. Additional information about this item was kindly provided by the donor.</text>
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                <text>United States Army Air Force</text>
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                <text>Mariana Islands</text>
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                <text>Mariana Islands--Tinian</text>
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                <text>1945-08-09</text>
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                <text>IBCC Digital Archive</text>
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                <text>This content is property of the Leonard Cheshire Archive which has kindly granted the International Bomber Command Centre Digital Archive a royalty-free permission to publish it. Please note that it was digitised by a third-party which used technical specifications that may differ from those used by International Bomber Command Centre Digital Archive. It has been published here ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre.</text>
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        <name>B-29</name>
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        <name>nose art</name>
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              <name>Title</name>
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                  <text>Cheshire, Leonard. Tinian and Saipan</text>
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                  <text>21 items. All photographs of places, aircraft and people taken on Tinian and Saipan around the time of the B-29 atomic bomb operations to Nagasaki and Hiroshima </text>
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                  <text>2019-06-25</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="235993">
                  <text>This content is property of the Leonard Cheshire Archive which has kindly granted the International Bomber Command Centre Digital Archive a royalty-free permission to publish it. Please note that it was digitised by a third-party which used technical specifications that may differ from those used by International Bomber Command Centre Digital Archive. It has been published here ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre.</text>
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                  <text>Cheshire, GL</text>
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                <text>Bockscar</text>
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                <text>Colour photograph of the nose of an aircraft 'Bockscar' USAF B-29 bomber that dropped a bomb over Nagasaki on August 9th 1945. With nose art of railway line with a rail boxcar with wings. Additional information about this item was kindly provided by the donor.</text>
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                <text>United States Army Air Force</text>
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                <text>Mariana Islands</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="235988">
                <text>This content is property of the Leonard Cheshire Archive which has kindly granted the International Bomber Command Centre Digital Archive a royalty-free permission to publish it. Please note that it was digitised by a third-party which used technical specifications that may differ from those used by International Bomber Command Centre Digital Archive. It has been published here ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre.</text>
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        <name>nose art</name>
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