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      <src>https://ibccdigitalarchive.lincoln.ac.uk/files/original/27/206/PFilliputtiA16010117.jpg</src>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Filiputti, Angiolino</text>
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                <text>Angiolino Filiputti</text>
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                <text>Alfonsino Filiputti</text>
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                <text>A Filiputti</text>
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                <text>127 items. The collection consists of a selection of works created by Alfonsino ‘Angiolino’ Filiputti (1924-1999). A promising painter from childhood, Angiolino was initially fascinated by marine subjects but his parents’ financial hardships forced an end to his formal education after completing primary school. Thereafter, he took up painting as an absorbing pastime. Angiolino depicted some of the most dramatic and controversial aspects of the Second World War as seen from the perspective of San Giorgio di Nogaro, a small town in the Friuli region of Italy. Bombings, events reported by newspapers, broadcast by the radio or spread by eyewitnesses, became the subject of colourful paintings, in which news details were embellished by his own rich imaginings. Each work was accompanied by long pasted-on captions, so as to create fascinating works in which text and image were inseparable. After the war, however, interest in his work declined and Angiolino grew increasingly disenchanted as he lamented the lack of recognition accorded his art, of which he was proud. &#13;
&#13;
The work of Angiolino Filiputti was rediscovered thanks to the efforts of Pierluigi Visintin (San Giorgio di Nogaro 1946 – Udine 2008), a figurehead of the Friulan cultural movement, author, journalist, screenwriter and translator of Greek and Latin classical works into the Friulan language. 183 temperas were eventually displayed in  2005 under the title "La guerra di Angiolino" (“Angiolino’s war”.) The exhibition toured many cities and towns, jointly curated by the late Pierluigi Visintin, the art critic Giancarlo Pauletto and Flavio Fabbroni, member of the Istituto Friulano per la Storia del Movimento di Liberazione (Institute for the history of the resistance movement in the Friuli region).&#13;
 &#13;
The IBCC Digital Archive would like to express its gratitude to Anna and Stefano Filiputti, the sons of Angiolino Filipputi, for granting permission to reproduce his works. The BCC Digital Archive is also grateful to Alessandra Bertolissi, wife of Pierluigi Visintin, Alessandra Kerservan, head of the publishing house Kappa Vu and Pietro Del Frate, mayor of San Giorgio di Nogaro. &#13;
&#13;
Originals are on display at&#13;
&#13;
Biblioteca comunale di San Giorgio di Nogaro&#13;
Piazza Plebiscito, 2&#13;
33058 San Giorgio di Nogaro (UD)&#13;
ITALY&#13;
++39 0431 620281&#13;
info.biblioteca@comune.sangiorgiodinogaro.ud.it&#13;
&#13;
The collection was catalogued by IBCC Digital Archive staff.</text>
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                <text>Filiputti, A-S</text>
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                <text>IBCC Digital Archive</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.</text>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Atomic bombings of Hiroshima and Nagasaki. Part 2</text>
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          <description>An account of the resource</description>
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              <text>An enormous fireball is expanding above a built-up area, surrounded by rings of smoke. Building are destroyed and lattice structures have been thrown up in the air.&#13;
&#13;
Inscriptions read “311”; signed by the author; Caption reads “(2)… alla prima esplosione, nè succeddettero altre quattro piu lievi, che parevano colpi di cannone: e finalmente si vide un’ enorme sfera di cuoio, che sembrava sorgere dalle viscere della terra, eruttando immensi anelli di fumo bianco…”&#13;
&#13;
Caption translates as: “(2)… The first explosion was followed by four weaker ones, which sounded like cannon shoots. Finally, what looked like an enormous leather ball was visible. It looked like it rose from the bowels of the earth, spewing out huge rings of white smoke…”.</text>
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              <text>PFilliputtiA16010117</text>
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              <text>ita</text>
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          <name>Creator</name>
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              <text>Angiolino Filiputti</text>
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          <name>Contributor</name>
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              <text>Francesca Campani</text>
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            <elementText elementTextId="2109">
              <text>Alessandro Pesaro</text>
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              <text>Helen Durham</text>
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              <text>Giulia Banti</text>
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              <text>Maureen Clarke</text>
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          <name>Subject</name>
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              <text>World War (1939-1945)</text>
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              <text>Atomic bomb</text>
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              <text>IBCC Digital Archive</text>
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          <name>Format</name>
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              <text>One tempera on paper, pasted on mount board</text>
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          <name>Spatial Coverage</name>
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              <text>Japan--Hiroshima-shi</text>
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              <text>Japan--Nagasaki-shi</text>
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              <text>Japan</text>
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              <text>1945-08-06</text>
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              <text>1945-08-09</text>
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          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
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              <text> This content is available under a CC BY-NC 4.0 International license (Creative Commons Attribution-NonCommercial 4.0). It has been published ‘as is’ and may contain inaccuracies or culturally inappropriate references that do not necessarily reflect the official policy or position of the University of Lincoln or the International Bomber Command Centre. For more information, visit https://creativecommons.org/licenses/by-nc/4.0/ and https://ibccdigitalarchive.lincoln.ac.uk/omeka/legal.</text>
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              <text>Artwork</text>
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              <text>Filiputti, Angiolino. Atomic bombings of Hiroshima and Nagasaki</text>
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      <name>bombing</name>
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      <name>bombing of Hiroshima (6 August 1945)</name>
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      <name>bombing of Nagasaki (9 August 1945)</name>
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